How to Address Envelopes in Calligraphy

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The finished result: How to Address Envelopes in Calligraphy

By Show Me Step by StepPublished

Based on a video by Calligraphy Masters.

A hand-addressed envelope is the first thing a wedding guest sees, and it makes the invitation feel personal before anyone opens it. In this tutorial, calligrapher Suzanne Cunningham, filmed for the Calligraphy Masters channel, addresses two envelopes from start to finish: a grey one in flourished Copperplate with white ink, and a navy one in a faster modern script with metallic gold.

She addresses a lot of wedding and rehearsal dinner envelopes. Watch her pace. Copperplate is slow on purpose.

What you need to address envelopes in calligraphy

A pointed pen setup: an oblique holder and a flexible nib. Suzanne uses a Brause 361 Steno, the Blue Pumpkin, for metallic ink. For ink she has two favourites: Dr. Ph. Martin's Bleedproof White, and Finetec metallic watercolor, which you wake up with water. Add a laser level for guide lines, a small jar for mixing, and a water brush.

Getting the ink consistency right

Bleedproof White comes out of the jar far too thick to write with. Thin a little in a separate jar until it moves like whole milk. Too thick and the nib drags and skips. Too thin and the white turns grey and see-through on a coloured envelope. When the ink skips mid-word, dip the nib tip in water and carry on.

Finetec works the other way round. You add water to the dry pan until it is creamy, then paint it onto the back of the nib.

Guide lines without pencil

Pencil lines on dark envelopes are hard to see and harder to erase. A laser level throws a straight line across the envelope that you can use as a baseline or slant guide, and it leaves no mark. Suzanne's Slider Writer is no longer made, but a hardware store laser level does the same job.

Laying out the address

Plan the lines before you write. Name on top, then street, then city and state, with the zip code on its own line. Keep descenders clear of the line below. Suzanne shortens a g on the city line because she knows the zip code goes underneath. Spaced zip digits with small dots between them look formal. Leave the dots off for modern script.

Copperplate or modern script?

StyleLookSpeedBest for
CopperplateFormal, even slant, flourished capitalsSlow, many starts and stopsFormal weddings
Modern scriptRelaxed and bouncyFasterShowers, parties, casual weddings

Common envelope calligraphy mistakes

  • Rushing Copperplate. Speed makes wobbles in the hairlines.
  • Letting ink dry on the nib. Wipe and re-wet often, especially with white ink.
  • Skipping the test envelope. Some papers feather, so try your ink on a spare first.
  • Stacking too soon. Let each envelope dry flat, and work top to bottom so your hand rests on blank paper.
  • Machine cancelling. Ask the post office to hand cancel so the sorting machines do not scuff the ink.

Where to go from here

New to pointed pen? Start with how to use a calligraphy pen and how to learn calligraphy. Want the look without a nib? Faux calligraphy works with any pen. And for stationery to write on, try making your own paper envelopes.

What you'll need

Step-by-Step Guide

10 steps · about 15 minutes.Check off each step as you go and your progress saves automatically.

1

Thin the Bleedproof White Calligraphy Ink to Whole-Milk Consistency

0:50
Step 1: Thin the Bleedproof White Calligraphy Ink to Whole-Milk Consistency - How to Address Envelopes in Calligraphy

Open the Bleedproof White and give it a stir. It is very thick, far too thick to write with straight from the jar. Scoop some into a small separate jar and add water a few drops at a time, stirring as you go. Stop when it moves like whole milk or coffee creamer. You can also thin the top quarter inch of the main jar, or keep a cup of water beside you and dip the nib in water, then ink, each time.

Tip

Mix only what you need for one session. A small jar of thinned white is easier to keep at the right consistency than the whole pot.

2

Square the Envelope Under a Laser Level Guide Line

2:32
Step 2: Square the Envelope Under a Laser Level Guide Line - How to Address Envelopes in Calligraphy

Lay a clean envelope on your board and push it into the corner so it sits square. Turn on the laser level and line the beam up where you want the writing to run. The red line shows up on any colour of paper and leaves nothing to erase afterwards. Suzanne keeps a finished sample envelope nearby to check her layout against before she starts the real one.

Tip

No laser level? On pale envelopes, a light pad under a printed guide sheet works. On dark ones, a laser is far easier.

3

Start the Envelope Name Line in Flourished Copperplate

3:35
Step 3: Start the Envelope Name Line in Flourished Copperplate - How to Address Envelopes in Calligraphy

Load the nib with white ink and begin the name line with a flourished capital. Copperplate is written slowly, with many starts and stops between strokes, so lift the pen often and take your time. Press on the downstrokes for thick lines and ease off on the upstrokes for hairlines. Check your slant against the laser line as you go.

Tip

If the white ink starts to skip, dip only the tip of the nib in water and keep writing. It loosens the ink without a full reload.

4

Write the Street and City Lines on the Envelope Slowly

5:30
Step 4: Write the Street and City Lines on the Envelope Slowly - How to Address Envelopes in Calligraphy

Move down to the street line, then the city and state. Re-wet the nib whenever the ink thickens, because white ink dries on the nib while you write. Before each line, look at what will sit below it. A long descender on a g or y can crash into the next line, so shorten it when you know something goes underneath. Stagger each line under the one above for a balanced address.

Tip

Wipe the nib on a soft cloth every few words. Dried white ink builds up fast and makes hairlines ragged.

5

Add the Zip Code With Dots Between the Numbers

6:15
Step 5: Add the Zip Code With Dots Between the Numbers - How to Address Envelopes in Calligraphy

Write the zip code on its own line below the city. Space the digits out across the width of the address and put a small dot between each one. It is a formal touch that suits flourished Copperplate. Then let the envelope dry flat before you pick it up. Bleedproof White sits on top of the paper and smudges while it is wet.

Tip

Leave the dots out for a casual or modern script envelope. They read as formal.

6

Choose a Finetec Gold Watercolor for Metallic Envelope Lettering

7:12
Step 6: Choose a Finetec Gold Watercolor for Metallic Envelope Lettering - How to Address Envelopes in Calligraphy

For the second envelope, Suzanne switches to Finetec, a metallic watercolor that turns into ink once you add water. It comes as a palette of golds, silvers and other metallics, or as single pans. Arabic Gold is her favourite and the one she uses most, so she buys extra singles of it. Tibet Gold is her backup. On a navy envelope, gold reads far brighter than it does on white.

Tip

Buy single pans of the colour you use most. You will run through it long before the rest of the palette.

7

Set the Gold Watercolor Pan in a Dish and Pick a Calligraphy Nib

8:05
Step 7: Set the Gold Watercolor Pan in a Dish and Pick a Calligraphy Nib - How to Address Envelopes in Calligraphy

Take one pan out of the palette and tape it into the bottom of a small dish. That keeps the rest of the palette clean, and a dish is easy to wash. Then choose your nib. Suzanne uses a Brause 361 Steno, known as the Blue Pumpkin, for metallic ink and nothing else. She says it gives her the best results with Finetec of any modern nib she has tried.

Tip

Keeping one nib for metallic ink only saves you scrubbing gold out of it before you switch back to ordinary ink.

8

Paint Gold Watercolor Onto the Back of the Calligraphy Nib

10:05
Step 8: Paint Gold Watercolor Onto the Back of the Calligraphy Nib - How to Address Envelopes in Calligraphy

Fill a water brush and squeeze a little water onto the gold pan. Work the brush around until the paint turns creamy. The first time takes longer because the pan is dry. Then paint the gold onto the back of the nib only. You do not need to coat the front. Give the pen a light shake so any extra drips back into the dish before you write.

Tip

A water brush keeps the water and the brush in one tool, so there is no cup to knock over on the desk.

9

Write the Name on a Navy Envelope in Gold Modern Script

11:00
Step 9: Write the Name on a Navy Envelope in Gold Modern Script - How to Address Envelopes in Calligraphy

Line the navy envelope up under the laser and write the name in modern script. It goes faster than Copperplate, with fewer lifts and a looser, bouncier baseline. Keep the pressure changes, though. Thick downstrokes and thin upstrokes are what make it look like calligraphy and not handwriting. When the gold starts to fade, paint the back of the nib again.

Tip

Write the same name and address you used for the white envelope as practice. Comparing the two styles side by side shows you which one suits your event.

10

Finish the Gold Envelope Address and Zip Code

13:20
Step 10: Finish the Gold Envelope Address and Zip Code - How to Address Envelopes in Calligraphy

Write the street line and the city and state the same way, checking each one against the laser so the address does not drift downhill. Add the zip code at the bottom. In modern script, Suzanne leaves out the dots between the numbers, which makes the envelope feel less formal. Let the gold dry completely before you stack the envelopes.

Tip

Ask the post office to hand cancel your envelopes. Sorting machines can scuff metallic ink.

How to Do Faux Calligraphy

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How to Do Faux Calligraphy

10 steps · about 12 minutes

Products Used

The Checklist

How to Address Envelopes in Calligraphy

Tools
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Steps
10
Video
15 min

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